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About Me Member Traditional Artist Michael Vincent Tantoco Mendoza27/United Arab Emirates Recent Activity Deviant for 11 Months
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B - is for Bourgeoisie

Mon Feb 2, 2009, 5:47 AM
The Myth of the Mainstream

The bourgeois man depends upon the existence of a mythical mainstream to justify his way of life. He needs this mainstream because his social instincts are skewed in the same way his conception of democracy is: he thinks that whatever the majority is, wants, does, must be right. Nothing could be more terrifying to him than this new development, which he is beginning to sense today: that there no longer is a majority, if there ever was.

Our society is so fragmented, so diverse, that at this point it is absurd to speak of a "mainstream." This is a myth partly created by the anonymity of our cities. Almost everyone one passes on the street is a stranger: one mentally relegates these anonymous figures to the faceless mass one calls the mainstream, to which one attributes whatever properties one thinks of strangers as possessing (for the smug salesman, they all envy him for being even more respectable than they are; for the insecure bohemian rebel, they must disapprove of him for not being like they all are). They must be part of the silent majority, that invisible force that makes everything the way it is; one assumes that they are the same "normal people" seen in television commercials. But the fact is, of course, that those commercials refer to an unattainable ideal, in order to keep everyone feeling left out and insufficient. The "mainstream" is analogous to this ideal, as it keeps everyone in line without ever actually making an appearance, and possesses the same degree of reality as the perfect family in the toothpaste advertisement.

No one worries more about this absent mass than the bohemian children of the bourgeoisie. They bicker over how to orchestrate their protests to gain "mass appeal" for their radical ideas, as if there still was a mass to appeal to! Their society is now made up of many communities, and the only question is which communities they should approach... and dressing "nice," proper language and all, is probably not the best way to appeal to the most potentially revolutionary elements of their society. In the last analysis, the so-called "mainstream" audience most of them imagine they are dressing up for at their demonstrations and political events is probably just the spectre of their bourgeois parents, engraved deep in their collective unconscious (collective psychosis?) as a symbol of the adolescent insecurity and guilt they never got over. They would do better to cut their ties to the bourgeoisie entirely by feeling free to act, look, and speak in whatever ways are pleasurable, no matter who is watching—even when they are trying to advance some political cause: for no political objective reached by activists in camouflage could be more important than beginning the struggle towards a world in which people will not have to disguise themselves to be taken seriously.

This is not to pardon those insecure bohemians who use their activism not as a means of building ties with others, but rather as a way to set themselves apart: in their desperation to purchase an identity for themselves, they believe they must pay for it by defining themselves against others. You can recognize them by their self-righteousness, their pompous show of ideological certainty, the ostentatious way they declare themselves "activists" at every opportunity. Political "activism" is almost exclusively their sphere, today, and "exclusive" is the key word... until this changes, the world will not.

Marriage... and Other Substitutes for Love and Community

Reproduction is a big issue for the bourgeois man and woman. They can only have children under very precise circumstances; anything else is "irresponsible," "unwise," "a poor decision for the future." They must be prepared to give up every last vestige of their youthful, selfish freedom to have children, for the mobility their corporations demand and the strain of vicious competition have destroyed the community network that long ago used to share the labor of child-rearing. Now every family unit is a tiny military outpost, closed and locked to the outside world both in their hearts and in the paranoia-turned-city-planning of their suburbs, each one an isolated emotional economy to itself where scarcity is the key word. The father and mother must abandon their selves for the prescribed roles of care-giver and bread-winner, for in the bourgeois world there is no other way to provide for the child. Thus the bourgeois couple's own fertility has been made a threat to their freedom, and a natural part of human life has become a social control mechanism.

Marriage and the "nuclear family" (the atomized family?) as chain gang have survived as a result of this calamity, much to the misfortune of potential lovers everywhere. For as the young adventurer, who keeps her lusts strong and her appetite whetted with constant danger and solitude, knows well, love and sexual desire cannot survive overexposure—especially in the dull and lifeless settings that most married partners share time. The bourgeois husband sees the only lover he is permitted under only the worst possible circumstances: after every other force in his world has had the chance to exhaust and infuriate him for the day. The bourgeois wife learns to punish and ignore as "unrealistic" and "impractical" her every desire for romance, spontaneity, wonder. Together, they live in a hell of unfulfillment. What they need is a real community of caring people around them, so parenthood would not force them into unwanted "respectability," so they would still be free to have the individual adventures they need to keep their time together sweet, so they would never find themselves so lost and desperately lonely.

In just the same way, their steady supply of food, of conveniences, comforts, and diversions avail them not. For as every hitchhiker, every hero, every terrorist knows, these things gain their value through their absence, and can offer real joy only as luxuries happened upon in the pursuit of something greater. Constant access to sex, food, warmth, and shelter desensitize a man to the very pleasures they afford. The bourgeois man has given up his chance to pursue real stakes in life for the assurance that he will have these amenities and securities; but without real stakes in his life, these can offer him no more real joy than the company of his fellow prisoners.

*B-is for beorgeoisie DAYS of WAR, NIGHTS of LOVE , Crimethink for beginners ..by crimethinc.

  • Listening to: jane doe - CONVERGE
  • Reading: DAYS of WAR , NIGHTS of LOVE
  • Drinking: water

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  • Current Residence: UAE
  • Favourite artist: paul booth, nick baxter and kore flatmo
  • Favourite style of art: senseful but fun
  • Tools of the Trade: tattoo machine

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Comments


:iconporcelaindoll9:
nakooo.. :)

--
"Live as if this is all there is...":headbang:

Want to know more about ME? Click the [link] and also this [link]:lick:
:iconflangeloni:
pag may naisip ka,collab tayo. kahit anu.
:iconwhatcore:
cge bro!!!! gusto mo pag my nagpadesign sakin ng tattoo yung sketch ko dagdagn mo ...enhance ba

--
if war is in your blood , KILLING is easy as BREATHING - john Rambo
:iconporcelaindoll9:
..anak ng..

--
"Live as if this is all there is...":headbang:

Want to know more about ME? Click the [link] and also this [link]:lick:
:iconwhatcore:
sori npo.. taas na kamay ko sayo...mahal n nga kita palagay ko e
_ROBIN PADILLA to SHARON CUNETA
:iconporcelaindoll9:
oi un watermark mo bkit di mo ata nigagamit??

--
"Live as if this is all there is...":headbang:

Want to know more about ME? Click the [link] and also this [link]:lick:

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